‘Trapped: Series 2’ – Episodes 3 & 4

This is a full review of episodes 3 and 4 of Trapped so don’t read on unless you’re up to date.

Welcome to this week’s episodes of Trapped aka racist Lord of the Rings, well sort of.  The Hammer of Thor group are in the ascendency, racing around in the north embroiled in various criminal enterprises, large and small. The director must have heard my complaints about the first episodes; they’ve saved the greatest landscape shots for this week as we see Skuli evade the search team and murder a dog. Two dog deaths now in just 3 episodes. My top tip: never be a dog in a Scandi noir.

The Case

Incarcerated Torfi reveals a vague threat about “what happens today” which gives a real sense of pressure on the whole episode. Could the Hammer of Thor group have set a bomb at the location the Mayor will use to sign the controversial deal with American Aluminium? Could it be another attack on the plant? Rabble-rouser Ketill is delighted to be in front of the TV news cameras on his release from custody but desperate for his son to be found safe. On reflection Skuli’s white horse was a poor choice in a muddy green landscape. When Skuli is finally found he’s given up hiding as he is as sick as a dog (although not quite as sick as the one he stabbed previously). Could this be exposure as he’s been on the mountainside for days, or something more sinister. I immediately thought poison, but I’ve been conditioned by detective dramas. Aha! I was right, and we’ve seen him drinking from a stream. Is this the ecological disaster the angry farmers were predicting?

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‘Trapped: Series 2’ – Episodes 1 & 2

This is a full review of episodes 1 and 2 of Trapped so don’t read on unless you’re up to date.

Trapped Series 1 was an extraordinary bit of television, the first ever Icelandic drama broadcast on British TV. The first series was the highest rated series ever on RUV, watched by 86% of TV households in Iceland. In the UK it passed 1.2 million viewers on BBC Four. Safe to say then that series 2 has quite a bit to live up to. I’m hoping it’s worth getting excited about.

Bearded man-mountain Ólafur Darri Ólafsson reprises his role as chief police inspector Andri now back in Reykjavik when he is entrusted with an extremely high-profile case. In classic nasty Scandi style we have an immediately gripping immolation opener which is fascinating even as you recoil in horror. Gisli an impoverished sheep farmer from the Icelandic Highlands sets himself on fire in front of the government building, trying to kill the Minister of Economic Affairs who just happens to be his twin sister. Andri is back on top again – a rise so meteoric I’m surprised he doesn’t have a nosebleed. From zero to hero thanks to his hard work and persistence in Series 1. In the first five minutes he’s already chatting to Iceland’s Prime Minister who cuts right to the heart of all Scandi noir motivations – was this attack personal or political?

Vikingur (early contender for best name of the series) is Gisli’s son, working at the controversial aluminium plant up north. As in the first series we get a break from subtitles thanks to the international element here in this industry; something that right-wing Icelanders like the Hammer of Thor group are protesting against – who profits from the devastation this plant causes to their landscape and their livestock? Vikingur already has a lot on his plate before his father’s horrible suicide – he’s in a relationship with Ebo, a black colleague who seems like he’s in the country illegally.

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Bigger, better, brutal – it’s ‘Battlebots’!

 

Jontosaurus laments the loss of Robot Wars on the BBC, again, and finds his mechanical carnage a little bit further away from home…

‘Murica. Anything we can do, they can do better. And, in fairness, when it comes to any and all types of warfare, that statement is truer than most. It is sort of a stereotype attached to our friends across the pond that they like to do things bigger, better and brasher than we do. We laugh about it, but it is perhaps why they have gone on to become the superpowers they are. It is also undoubtedly the reason that a loudmouthed caricature such as Donald Trump can be legitimately voted into the highest political job in the United States. We could delve into the psychology of such things, or we could just take some time out to acknowledge that sometimes, bigger and bolder is undoubtedly better. Battlebots makes this statement true.

With the BBC harshly axing their rushed reboot of Robot Wars– sadly, understandably after its modest viewing figures- there is once again that gap in the UK television market for robotic carnage. And whilst Battlebots is a long way away from being prime time terrestrial viewing, it can hopefully fill that gap for some of us until the BBC inevitably reboot Robot Wars in a decade’s time and them promptly axe it again.

Mechadon_4.0
Mechadon proving that everything really is bigger in America

Battlebots itself is a reboot of the old American television program that aired at around the same time as the UK’S Robot Wars did. Whilst America also has Robotica, a sort of Robotics Olympics, and also its own version of Robot Wars (presented by WWE’s Mick ‘Mankind’ Foley, God rest his soul), it was always Battlebots that epitomised everything the US combat robot scene had come to represent. Big, hulking, super-heavyweight robots fought each other in the arena, but instead of the house robots, the arena is instead filled with various hazards including a hammer that would make Thor’s Mjolnir blush at its own inadequacy, and some huge buzz saws that are sharper than a catty drag queen’s comebacks. Bouts are three minutes long and if you thought the UK’s efforts caused severe destruction, this is nothing in comparison to what the American competitors can manage.

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