Eurovision 2018 – the Grand Final

Well I told you it’d be a vintage year and well worth tuning in for, but I did not expect that. What a night! Let’s try to put some of the craziness in context. I’m not even sure where to begin.

So Eurovision 2018 gave us a huge variety of music with many genres represented. In my lifetime I never thought I’d see anyone stage dive at Eurovision! The way the initial jury voting went the field wide open with any of 6 or 7 songs that could have won. There was pop, metal, dance, ballads, opera and loads of different languages on show, mainly by people who all looked the same. So much for diversity, but baby steps. We also had four female presenters, none of them particularly gifted in comedy or the essential schmoozy green-room chat, but fully female-fronted is a big deal. This was especially obvious as creep after creep giving the jury votes commented on their appearance, hilariously the Portuguese man was the absolute worst. He made my ovaries cringe and shrivel up inside me. Ick.

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‘The Last Kingdom’ – Seeing the Future

Exciting times for history fans! The Last Kingdom (BBC2)  starts this week (22 october at 9pm). Expect fighting frightening Vikings, blood and gore, and defending the shores of the British Isles. Expect important and resonant themes of immigration and colonisation. Expect rugged men looking rugged astride horses against rugged landscapes. And expect Bernard Cornwell’s books (this show is based on his series The Saxon Story) to be stacked sky-high in Waterstones.

But don’t expect dragons. Or magic. And it seems there’s slim chance of sex or nudity. If we’ve learned anything this week it’s been that writer Bernard Cornwell is not a fan of Game of Thrones. His work in based in history, so while the costumes, weapons and landscape look epic and lavish, there’s zero fantasy elements.

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