This is a full review of The Bridge: Series 4, Episode 5. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
This week is Tommy’s story. The guy Henrik picked out of the files and put at the top of the investigation board gets a 18 minute long pre-credit explainer. I’m not usually a fan of this way of storytelling, but we are presented with a perfect concise package – a gift to the viewer that comes packed with answers we’ve been dying to find out for weeks.
Four Years Ago
Tommy Peterson worked for the dangerous mob boss William Ramberg, and was a police informant trying desperately to keep a violent gang war from happening. Henrik and Lillian promised to intervene before the shooting started, but couldn’t get sign-off from the prosecutor’s office. All this takes place on Tommy’s son’s birthday, and his son is revealed as wheelchair-user Kevin from Henrik’s NA group. Only four years ago he had the use of his legs and was called Brian.
Tommy is a patient of Niels the psychologist who can’t help him other than by prescribing drugs. And he goes to Richard Dahlqvist to do a tell-all for a newspaper – “Six Dead in Gang War. Police Informed, Did Nothing”. Unfortunately Richard’s eye for detail is Tommy’s ultimate undoing. The way he smokes a cigarette is distinctive and described in the article. In a terrifying meeting with William it’s clear the gangsters know he’s the snitch and they’re preparing to kill him. Turns out Danish cigarettes can kill you in two very different and equally nasty ways. Tommy is clever though, and has set up an escape route but is let down by his friend Moyo. In a classic gangster movie scene it’s William in the car who comes by to sweep up poor Tommy. There’s nowhere left to run.
This is a full review of The Bridge: Series 4, Episode 4. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!
Well colour me confused. What are they playing at? The halfway point maybe not the best spot to introduce a whole new cohort of an already large cast. This is daunting even for seasoned viewers. If you watched the whole episode without pausing to wonder who someone was, who they were related to, and how they were linked to the case then you’re doing far better than me.
Taariq needs penge, and quickly. You’ve got to admire his audacity in trying to blackmail a murder suspect, stealing his wallet and car. Someone told me Taariq was going to get a severe new haircut and I did wonder in a world as dark as The Bridge, does that mean he’ll lose his head? Of course the answer is yes. As Taariq finally realises there’s no way out Henrik and Saga are called to the scene of his armed stand-off. Saga’s compulsive twitching as she attempts to defuse the situation is unbearable. Taariq can’t handle the truth, and unfortunately for him, Saga can’t hide it. A final violent act is preferable to a future in jail or being deported to a repressive regime. Henrik and even Saga seem heartbroken at his death.
This is a full review of The Bridge: Series 4, Episode 2. Catch up with my episode 1 review here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.
It’s business as usual for episode 2 of The Bridge which after the hardship and the outright panic of episode 1 is a blessing for viewers.
This week we learn more about suspect number one Taariq and his amazing fluffy yet angular hairdo. Turns out he’s a hero; saving two girls from violence and giving them a hot meal. These young thieves won’t win any acting prizes but they seem to make a living from scamming people and pickpocketing wallets and passports. But this is The Bridge, so no good deed goes unpunished. Taariq’s desperate situation is getting worse – he’s grassed up to the cops by his horrible boss, and worse still it seems he’s been set up with a phone that tracked the victim’s whereabouts. Poor Taariq has got to be the unluckiest man in all of Scandinavia, and despite my still being convinced he’s not the killer he is not out of the woods yet.
Taariq’s relationship with Margarethe sounds unlikely. He tells us that he met her secretly in the gay club because she wanted to make amends for the cruel decisions of the state. By day she’s the immigration department’s Bruce Wayne; all above-board, all business, but by night she’s Batman; out to right the wrongs and offer help to the helpless. Was she really this strange split personality, riddled with guilt? At the moment we know so little about her. Her husband Niels looks dodgier than ever “They have nothing” he says in a secret phone call, “stick to the plan”.
Even before the first shadow crosses the screen Requiem is creeping me out. It’s so obviously a Sunday night drama and should have been on over Christmas for full wintery effect. But for some unknown reason it’s on BBC1 on Friday nights in February. Never mind all that though, that’s an old-fashioned way of thinking about scheduling. Who cares what day it broadcasts when it’s all up on iPlayer to watch straight away.
I’d clocked the adverts but decided it wasn’t for me. Ghosts just don’t frighten me at all. I’d much rather Scooby don’t than Scooby Doo. The genre is so well-trodden and cliche-riddled that the only gasp you’ll get from me is a sigh as I find the remote and click the button. That whole haunted house brand has termites and it’s falling to pieces. But such a high quality cast turned my head and I watched it with a ‘may as well’ shrug as a chaser after yet another disappointing Euro drama (oh Modus, what’s happened to you?).
Requiem looks gorgeous and sounds fantastic. The opening credits are a Royal Blood album cover and the music is part classical emotions, part jarring shuddering electronics, as if the Terminator was in a string quartet. This isn’t just an interesting score; this is fundamental to the story. Matilda (Lydia Wilson) is a successful cellist, riding high with her pianist Hal (Joel Fry, wonderful in everything, recognisable from Game of Thrones where he’s got a similar complicated relationship with a powerful blonde) in hipster London, her haircut, flat and career fitting in nicely to that group of people who hate fitting in. Her lovely Mum Janice (the exceptional Joanna Scanlon, last seen as fearless matriarch Viv Deering in No Offence) is sad they’re spending more time apart, but delighted for her success. Matilda seems restless, her one-night stands interrupted by nightmares of an imprisoned girl.
Sky Atlantic are really stepping up when it comes to interesting Euro imports, and really competing with the big boys Walter Presents on Channel 4 and good old BBC4. Midnight Sun from Sweden was seriously amazing. Their latest offering is a dark drama that was hugely successful in its home territory of Belgium, and it soon becomes clear why. When a convicted child killer Guy Beranger (Angelo Bison) is released from prison on probation, the monks of Vielsart Abbey offer him sanctuary in a small village in Belgium’s Ardennes Forest. Creepy Guy is placed under the protection of a young Federal Police inspector, Chloé Muller (Stéphanie Blanchoud), who is herself haunted by nightmares of childhood trauma. Despite clearly not being mentally fit enough for this duty young Chloé is to be his babysitter.
Creepy Guy was convicted of five murders in 1990s. These were extremely high profile killings, mainly it seems of children, and he’s not been forgotten. On the way into the up into the forest we’re greeted with angry protests from Vielsart villagers and quite a few of the abbey monks. Father Abbot is on side, all about the Christian charity and forgiveness. Even among his own brothers he’s not made a popular decision. Will he be ousted because of this or will he teach his brothers that forgiveness isn’t easy but is always necessary?
There’s something about a flirty Dawn French pouting at Emilia Fox over a chopping block with a massive shiny cleaver sticking out of it that cannot be ignored. And that’s precisely why Sky 1 covered massive billboards with their likenesses. Mmmm delicious, I thought to myself, I wonder what that’s about. And then I thought about dinner, because obviously.
Well, episode one was at great pains to tell us, unfortunately via the means of a lengthy and extremely dull exposition not even saved by Iain Glen’s mellifluous tones. Yes, that’s another Game of Thrones graduate, more recognisable as Ser Jorah Mormont getting sunburnt and heartbroken in the desert with his Khaleesi. Mate, she’s just not into you. In Delicious he plays Leo, head chef at a fancy hotel in Cornwall. Beautiful skinny current wife is Sam (Emilia Fox) and his ex-wife who strangely seems to live in the exact same tiny village is Gina (Dawn French), the only person in it who actually looks like food is a pleasure not a burden.