‘Trapped: Series 2’ – Episodes 9 & 10

This is a full review of episodes 9 and 10 of Trapped so don’t read on unless you’re up to date.

This series of Trapped has been more about fire than ice, but despite how it all began with Gisli’s self-immolation in such a public space I was not prepared for the horrific car fire at the start of episode 9. I was in denial. There’s no way hat Asgeir could be dead, stabbed by the killer intent on stealing back the mobile phone and covering his tracks. He’s not stopped that easily; he can survive a few stab wounds. But then a car is found on fire as the killer slinks away in the darkness.

I was banking on a TV miracle, right up until his autopsy (“That’s not Asgeir – he had a distinctive rabbit tattoo on his lower thigh! This is some other convenient dead body with terrible stab wounds!”). Only then, like Andri, Hinrika and poor Gudrun I had to admit he really was gone. The grief of his colleagues was so raw and real, especially Andri who immediately blamed himself. Watching the big guy crumble was too much to bear especially because he had to hide away in his bathroom to cry privately. And the new feeling of empty space in the police station where Asgeir should have been was a neat way to show something has changed forever without the need for words. There’s no relief until Asgeir’s killer is caught. And despite what Andri tells his boss, we know he’s not alright to continue leading this investigation but we admire his resolve and we want him to see it through.

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‘Trapped: Series 2’ – Episodes 5 & 6

This is a full review of episodes 5 and 6 of Trapped so don’t read on unless you’re up to date.

Welcome to a couple of subdued but pivotal episodes as we reach the halfway mark in Trapped, despite Andri admitting he’s really back at square one in the investigation. Episode five in particular is quite slow and introspective as it centers around Gisli’s funeral. It marks a break in the action and a pause in the investigation. Gisli’s gravediggers remark on his ancestor who had “bad blood which contaminates the soil” and we get our first hint of what exactly is tearing the family apart – Gisli, Halla and Elin are the three siblings whose father went missing when they were children and his body was never found.

The Case

Young Aron’s flash car was bought by his father with cash. And as Asgeir says Finnur had a fleet of cars, with not exactly a massive wage from the plant. So this is where he spent his dirty money, and the rest is stashed in the house for Aron and Thorhildur to find after his death.

Stylish Halla is burnt but unbowed and goes to her brother’s funeral. Sister Elin accuses her of doing it for the media attention and if she hadn’t managed that already just by attending she gives a speech to the congregation and is treated like a hero. This has to be very good for her long-term political career. All the villagers scrub up well for the service in the tiny church, apart from Bardur keeping his trademark wooly hat on until Hinrika jabs him in the ribs.

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‘The ABC Murders’ – BBC1

Spoiler warning: details about the murderer lie below!

Mustache-twirling Belgian detective Hercule Poirot is a beloved character in literature, in cinema and on TV. Recently he’s been re-imagined as a Hollywood action hero by Kenneth Branagh in a slightly strange but ultimately well-received version of Murder on the Orient Express. So now to the BBC’s Christmas drama schedules, a big part of which has been Agatha Christie adaptations by Sarah Phelps. Over the past few years she’s brought us Ordeal by Innocence, And Then There Were None and Witness for the Prosecution. Ginger and restrained adaptations are not Phelp’s style. How do you rip up the rule book but stay true to the source material?

It turns out all you need to do is wait. The passage of time makes characters different people, more fragile and sympathetic, more human. John Malkovich portrays the great detective as a weary yesterday’s man – the ying to David Suchet’s dapper and self-important yang. He’s dismissed as just another nosy parker by the young and very serious Inspector Crome (Rupert Grint). The world has moved on since Poirot’s celebrity heyday. This is all done in an extremely heavy-handed fashion as Poirot’s retired police pal Japp literally drops dead in front of him. Alright, alright, we get it – everyone is mortal. Poor old Poirot is lonely; in desperate need of a Scooby gang – despite first appearances he’s no good at coping with life alone and forgotten.

Enter the murderer who remembers Poirot at the height of his powers and wants to play a game. By letter he tells him he’s off to kill a series of people throughout the UK whose names start with each letter of the alphabet in turn and it’s up to Poirot to figure out the connection between the seemingly random victims stop him. What an effort from the murderous mastermind to troll Poirot pre-Twitter. Think of the expense in stamps alone!

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A view from The Bridge

Spoiler alert: Contains plot details for Series 4 of The Bridge

Writers Hans Rosenfeldt and Camilla Ahlgren promised great things with the final series of this international Scandi hit and viewers arrived back on the iconic Øresund Bridge with high hopes for our heroes Saga Noren (Sofia Helin) and Henrik Sabroe (Thure Lindhardt). Were they the awesome crime-fighting duo we’d seen at the end of series 3? Were they working together to solve the disappearance of Henrik’s daughters? Well, yes and no.

The series begins with Saga behind bars serving time for her wicked mother’s murder, patiently awaiting a re-trial. We know she didn’t do it, but how on earth can a cop with such limited social skills survive the system unscathed? Devoted Henrik who is trying hard to turn his life around is a frequent visitor. Absence really does make the heart grow fonder – their relationship seems much stronger than ever before. And a good job too, as there are some incredible storms to weather in this series – new highs and desperately tragic lows that are quite alien to Saga’s usual even keel. There’s heartbreak for all here, especially Saga as she finally has to confront her dreadful abusive childhood, and how it’s shaped her adult life. Saga in therapy is powerhouse acting from Sofia Helin, pushing at the limited scope in her character’s movements and facial expressions. I’ve not seen more entertaining and revealing therapy sessions since The Sopranos.

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‘The Bridge’ – Series 4, Episode 7

This is a full review of The Bridge: Series 4, Episode 7. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!

Happily we still have a Henrik this week. Our brave and stupid Dane gets off with a serious pain in the leg and a severe tongue lashing from boss Lillian about his ridiculous risk-taking. As predicted the GoPro killer (what is his/ her official nickname?) didn’t want to shoot Henrik as death to them is the easy way out. He wants his victims to suffer.

The Case

Chris flees from crazy Frank locking him up in the old factory. Frank looks like his hobby is well-planned. He’s got history in kidnapping kids.

Decapitation and firing squad are the methods left unchecked on the team’s control room list. So that’s equal parts terrifying and spectacular.

Mysterious dead Douglas was a Private Investigator who Niels says he hired after his wife’s death to hurry the investigation along. Saga uncovers private police documents in his office that show the mole in the team is working hard on leaking sensitive information all over the place.

Saga is on to Anna, Astrid and Frank thanks to Chris’ confession about killing Dan in the Village of the Damned. Frank seems so reasonable but there’s a monster is hiding just under the surface of respectability. In this episode Frank’s answer to everything is violence. The tension is unbearable as Frank locks the front door and goes to find Astrid toting a shotgun. (“For fucks’ sake! We demand a happy ending!” is written in my notes at this point.) Why did the sniper not take the clear shot he had at Frank’s squishy little head? And how come they can organise a whole SWAT team for a cold case with little to no notice? Those questions aside, good work team!

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‘The Bridge’ – Series 4, Episode 6

This is a full review of The Bridge: Series 4, Episode 5. Catch up with all the reviews here. Don’t read on unless you’re completely up-to-date on the BBC2 schedule!

This week is Tommy’s story. The guy Henrik picked out of the files and put at the top of the investigation board gets a 18 minute long pre-credit explainer. I’m not usually a fan of this way of storytelling, but we are presented with a perfect concise package – a gift to the viewer that comes packed with answers we’ve been dying to find out for weeks.

Four Years Ago

Tommy Peterson worked for the dangerous mob boss William Ramberg, and was a police informant trying desperately to keep a violent gang war from happening. Henrik and Lillian promised to intervene before the shooting started, but couldn’t get sign-off from the prosecutor’s office. All this takes place on Tommy’s son’s birthday, and his son is revealed as wheelchair-user Kevin from Henrik’s NA group. Only four years ago he had the use of his legs and was called Brian.

Tommy is a patient of Niels the psychologist who can’t help him other than by prescribing drugs. And he goes to Richard Dahlqvist to do a tell-all for a newspaper – “Six Dead in Gang War. Police Informed, Did Nothing”. Unfortunately Richard’s eye for detail is Tommy’s ultimate undoing. The way he smokes a cigarette is distinctive and described in the article. In a terrifying meeting with William it’s clear the gangsters know he’s the snitch and they’re preparing to kill him. Turns out Danish cigarettes can kill you in two very different and equally nasty ways. Tommy is clever though, and has set up an escape route but is let down by his friend Moyo. In a classic gangster movie scene it’s William in the car who comes by to sweep up poor Tommy. There’s nowhere left to run.

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‘The Bridge’ – Series 4, Episode 1

This is a full review of The Bridge: Series 4, Episode 1. Don’t read on unless you’re completely up-to-date on the BBC2 schedule.

Hey, you can come out from behind the cushion now. Is everyone ok? Take a deep breath, shake your fist at BBC2 for making you wait a whole week for the next episode and let’s process that remarkable hour of television.

So The Bridge is back with a bang, gleefully ramping up the tension, messing with our expectations of Saga and Henrik, all while introducing the usual cast of victims, ne’er-do-wells, and various hangers-on, some of whom will inevitably be added to the final body count.

We begin with a striking close up of Saga’s face, silent, dark and isolated. She wakes and sighs, remembering she’s in a nightmare she can’t escape from. She’s been in prison since the end of series 3 and I was worried her character development and personal resilience would be set back to zero but she’s doing her best. She awaits the outcome of her retrial for her manipulative mother’s murder. Remember she has a motive, no real alibi (she was set up to be alone in a graveyard when her mother died) and there was forensic evidence all stacked up against her. It sees a new witness has come forward, but Saga’s simple belief in right and wrong, and the power of the law has been firmly shaken. And she’s floundering. If she’s not a cop then where does that leave her. Without the job who is she?

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