I have finally relented and let Mr H submit a review for his favorite show. He spent 20 years living in Wales for his sins so consider him our foreign correspondent.
“It’s beautiful, I’m so glad you bought a big new telly” – Sarah Hamstera (1847 – Present)
It’s not often I hear justification for a purchase but there is power in beauty and Hinterland knows that all too well…
Hinterland (Y Gwyll) is an oddity in British television in that it is created and produced primarily for the Welsh audience but filmed once in Welsh and again in English. This means that there are 2 versions available to the tv audience (3 if you include the much rarer and heavily abridged all English version), the all Welsh version (Y Gwyll) appears on BBC owned S4C followed a short while later by the ‘International’ version which is predominantly in English but with key sequences in Welsh with English subtitles. This is the version put out on Saturday nights on BBC4 fitting nicely into their standard Scandi-Noir slot where we get to see just how well we have come to understand and love the genre. In some ways it feels odd that we aren’t watching the Welsh version with intermittent English scenes but, given the core audience, it’s understandable.
For those that haven’t yet sampled the ethereal delights of Hinterland, it is ostensibly a police procedural drama set in the beautiful scenery of the rural Welsh countryside surrounding Aberystwyth. This, for the most part would be enough but there is much darker fayre to be had below the verdant and bucolic surface.
Continue reading “‘Hinterland: Series 3’ – On the Box”
Ordinary Lies is a BBC drama now in its second series made up of interconnecting stories about colleagues in a workplace who all have dark secrets set to be revealed. Series 1 starred Max Beesley in a car dealership in Warrington and series 2 is set in a Sports Direct style clothing company warehouse in Cardiff.
Episode 2 looked most interesting, as it deals with very topical issues of catfishing and editing your life to show they very best bits only on social media. It’s all an illusion because real life is so boring.
This is bright and funky drama, and feels very daytime like it should be in an early afternoon Doctors slot. Not a bad thing, just a sightly unusual tone for a drama broadcast at 9pm. Although I feel I must complain about one thing – the unrealistic sunshine. This is not usually available in South Wales, even at the height of summer.
Continue reading “Ordinary Lies: Series 2, Ep 2 – On the Box”
Another tv treat from the Birmingham Literature Festival this year was Hans Rosenfeldt and Ed Thomas in conversation. The men may not have household names, but you’ll certainly know their work. Hans is the leader writer and creator of international mega-hit The Bridge and Ed writes the sparse and beautiful Hinterland set in Wales. Both shows are available for a cosy night in on Netflix. The guys were on the programme as a duo because they both write about murders and cops in a distinctly unusual bilingual fashion. The interviewer from the Writers’ Guild of Great Britain skillfully weaved their experiences together, but for ease of reading I’ve pulled them apart again, with a bit of chat about similarities and differences to act as *ahem* a bridge between the two…
The Bridge – Hans Rosenfeldt
Hans is a big lumberjack type who looks super comfortable in front of the audience. I’m sure he’s well versed in talking about Saga, Martin and The Bridge. He starts by telling us a little about the writing process – 70% of the episodes he writes alone in Swedish. The scripts are translated after the third draft by a ‘proper’ translator and then one writer makes it sound “less translated” and turns it into ‘improper’ spoken Danish. He says despite Swedish and Danish sounding pretty close to our English ears “we made up the fact that we understand each other”. He says not understanding would have given them big problems with tense scenes like interrogations. So, despite appearances, it’s all false and Swedes especially have trouble with Danish. He says he’s not massively happy with the subtitles on Netflix as they are not always correct and English-speaking audiences are losing a little in translation.
Continue reading “Dead Pixel Test Live! – The Bridge to Hinterland”
As you may recall back in September BBC2 introduced us to a superstar in pretty unusual circumstances, and I thought he was fantastic. This was Abz Love, ex-boyband member of 5ive breaking with his past and being born again as a super enthusiastic small-holding farmer. In my review I was hoping for a follow-up, and the Christmas telly listings gave me that gift.
Continue reading “‘Abz on the Christmas Farm’ – On the Box”
Sir Terry Wogan is living the good life, and he knows it. He’s worked his way up the tv and radio schedules to the lofty status of national treasure and jolly decent chap. He’s the sort of presenter it’s absolutely categorically impossible to dislike, with his warm tones, his charming manner and his often repeated jokes. He’s perfect for happy little interviews with the general public and asking tradesmen and restauranteurs “What is it that you do?”. Over the years he’s perfected his jovial, warm, interested style. He’s happy for you to know he’s on easy street and in this series he doesn’t even have to worry about the driving. Mason McQueen (sadly not called June) is a London cabbie and adventurer, thanks to A Cabbie Abroad which was shown on BBC2 last year. He’s not afraid to leave the confines of the M25 and, like Terry, seems genuinely interested in meeting people and learning about their trade.
Continue reading “‘Terry and Mason’s Great Food Trip’ – On the Box”
In my very earliest post on this blog, just two months ago, I promised you that I wasn’t interested in the ways of celebrity. Despite the subject of today’s post, I swear this is still true. Yes, this is a reality show about a 90s boy band star – Abz Love of 5ive fame – and his girlfriend Vicky Fallon but there’s more to this little series than meets the eye.
Continue reading “‘Country Strife: Abz on the Farm’ – On the Box”