‘Z: The Beginning of Everything’

Another sumptuous drama here on a subscriber service. It’s almost like this is where the big bucks reside in these digital days. Z: The Beginning of Everything is the story of Zelda Fitzgerald, Mrs F Scott Fitzgerald to you dear. It’s based on Therese Anne Fowler’s book which Christina Ricci read and wanted to audition for. It turns out no one was making it, so she decided to do it herself. Ricci says that Zelda had suffered bad press over the years, with the focus firmly set on her genius husband. Ricci was sick of her being overlooked and sets out to flip that script.

Ricci with her soulful doe eyes and her fierce blonde bob is Zelda Sayre Fitzgerald, a brilliant, beautiful and talented Southern belle, the original flapper and an icon of the Jazz Age in the flamboyant 1920s. Zelda is young and bored to death in her little quaint country town of Montgomery, Alabama. Having never been to the American south it looks lovely to me – all wide tree-lined avenues, sugary iced tea and cotillion balls at the country club.

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‘Apple Tree Yard’

Spoiler warning: this is a full review of Apple Tree Yard so if you’re spoiler conscious, please look away now!

Apple Tree Yard is an eye-catching thriller, adapted from the novel of the same name by Louise Doughty about Dr Yvonne Carmichael (award-winning Emily Watson) and dashing Mark Costley (Ben Chaplin). The pair meet by chance at the Houses of Parliament. She’s there to give a talk on her work in genetics. Why he’s there is never really explained. He bats his eyelashes at her and invites her to tour the secret chapel. That’s the magic words as within about 5 minutes of meeting they’re having sex! This is the very definition of a whirlwind romance.

This secret romance is a big deal to Yvonne. It’s all a bit grimy and sordid, but very exciting. She falls head over heels for a man she knows nothing about. It’s sort of a way to get her own back on her dodgy husband Gary (played by Mark Bonnar, an actor who seems to be in literally everything), but mainly to feel like an interesting and attractive middle-aged woman. I’d argue it’s the affair, not her Mr X as a person, that makes her feel good. It’s what it represents – the fight against aging and slowing down the inevitable invisibility as a desirable sexual woman. All this comes hot on the heels of her about to become a grandmother, and that’s surely no accident.

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‘Santa Clarita Diet’

I think we can all agree that 2016 was rubbish, punctuated by the occasional depressing shitstorm. So far, 2017 is just bleak, barely registering on the Shrug Scale of shit-we’ve-all-just-got-to-get-used-to a.k.a. the new normal. So it’s the perfect time to turn your brain off, get grizzly and relish some zombie face-munching fun.

Welcome to Santa Clarita, a deeply boring middle-class suburbia somewhere in dull dry Southern California. Sheila and Joel are good-looking super-normal upwardly mobile estate agents (or realtors as they say over there) quickly sliding down the slippery slope into a totally ridiculous situation. Poor Sheila dies, only she doesn’t. Life goes on as normal, as best they can, while she, Joel and their teenage daughter Abby deal with the fact she is now a zombie.

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I Have Been Watching … Cathy Come Home.

Guest blogger SusieSue is inconvenienced, but a tv classic helps her remember how fortunate she really is…

May I digress slightly… my office is my kitchen. My kitchen is under my bathroom. My bathroom is being re-fitted. My office TV is below said bathroom. Consequently, the signal to said office TV has been at best, disrupted. Although I have been oop north for the most part of last week (I want to live in York now, btw) to escape the fact my house looks like a small branch of Wickes.

So I’ve turned to BBC iPlayer. The renowned and iconic Cathy Come Home re-aired on BBC4 on Sunday 31st July. It was first shown mere weeks before my birth, in late 1966. I have heard of it, but never seen it until now.

Directed by Ken Loach, this is the story of a young couple, full of love and hope and enjoying everything we take for granted now in family life, in their modern home with their children. Cathy (Carol White) and Reg (Ray Brooks) are amazing in this. But then Reg is injured at work. He loses his job. The bailiffs come and they trail from place to place until the family is torn apart.

There’s no happy ending here. It’s become a part of social history; proof that television and the arts really do matter.

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